Ex-MEGADETH Guitarist KIKO LOUREIRO Shares Music Video For New Solo Single 'Talking Dreams'
December 14, 2024Brazilian guitarist Kiko Loureiro, best known for his work with MEGADETH and ANGRA, has shared the Leo Liberti Films-directed music video for his new solo single, "Talking Dreams". The track is taken from his latest solo album, "Theory Of Mind", which was released in November.
The official YouTube description of the "Talking Dreams" music video, courtesy of Loureiro, reads as follows: "'Talking Dreams' unveils the poignant tale of a dancer confined to the shadows of the stage. Though her soul belongs to the spotlight, she finds herself entangled in mundane tasks, lost in dissatisfaction, trying on costumes that never seem to fit. In contrast, Kiko Loureiro stands on stage, his back turned to an absent audience, immersed in a performance unseen and unheard. Meanwhile, in an alternate timeline, the dancer moves — but in reverse, her graceful motions rewinding through time.
"This narrative is a metaphor for the human journey: a life spent ignoring our true purpose, our innate gifts, our deepest calling. It reflects the tragedy of living as spectators in our own stories, wearing roles that don't resonate and rarely stepping forward as the protagonists of our lives.
"In the climactic moment, the dancer faces the reality of her own mortality. In desperation, she pursues the dream she had always longed for — only to realize it is too late. Life, after all, has its own rhythm, and its tempo waits for no one.
"The video's retro aesthetic evokes the theatricality of existence, a grand spectacle where we are often cast in parts we never chose. A movie in which we live as characters we don’t like and almost never as the protagonists."
Kiko previously stated about "Theory Of Mind": "When I set out to write this album, 'Theory Of Mind', it felt more like an exploration than a project. Music, for me, has always been about uncovering the hidden layers of thought and emotion, and this album took me into new territories — ones where psychology and technology intersect with the core of what makes us human. But this wasn't just a conceptual or intellectual exercise for me. I had personal experiences that led me to create this music, experiences that reshaped how I see the world and how we understand each other.
"The concept of 'theory of mind' isn't new. It's a psychological term, first developed to describe the unique human ability to recognize and interpret the mental states of others. We use it every day, often unconsciously, to navigate the social world, to empathize, to predict what others might feel or think. It becomes even more profound when applied to those who experience life differently for whom 'theory of mind' may not come naturally. In them, the gaps in understanding can be bridges to deeper ways of seeing the world. This album seeks to capture that complexity — the struggle, the beauty, and the unknown that comes with interpreting the minds of others. I've seen this first-hand, both in my own life and through people close to me. Watching someone struggle to connect with others on an intuitive level or seeing how people are often misunderstood because they process the world differently — it all started to shape my thinking. How do we understand those whose minds work in ways we can't immediately grasp? How do they understand us? These questions weighed heavily on me and became a driving force behind this album. I wanted to reflect on those personal experiences musically, creating an emotional landscape where the listener could step inside that journey, even if just for a moment.
But there's another layer to this album that extends beyond psychology and into the future of technology.
"We are on the verge of a new era where machines — artificial intelligence — are approaching what scientists refer to as 'theory of mind'. This marks the moment when AI not only calculates and processes information but begins to perceive, empathize, and interact as humans do. What intrigued me is how AI, now convincingly mimic human understanding of mental states, even outperforming humans in 'theory of mind' tests. It's one thing to create music that evokes human emotion, but what does it mean when a machine can understand and resonate with those emotions too? Imagine a world where technology not only responds but feels.
"Each track on the album is a chapter in this story, and I hope listeners feel the evolution. The opening song begins with an intricate awakening motif, almost like the first realization of self-awareness, like when a child first grasps that other people have thoughts, emotions, and experiences separate from their own. The music builds from there, layering with complexity, much like how we learn to navigate the minds of others — tentative at first, and then more certain, with moments of tension and harmony.
There's a rhythmic pulse throughout the album. It represents that shared essence we all have the need to connect, to feel understood. I incorporated melodies and counter-melodies, verses and choruses, peaceful and aggressive, dissonant or consonant that mirror the interplay of thoughts in dialogue, where communication is imperfect but still profound. The tension and release echo the internal conflicts we all experience—wondering if we truly understand others or if we're just projecting our own thoughts onto them.
"There's a vulnerability in the tracks' melodies, a fragile but fierce will to connect. In a way, it's a meditation on empathy, on the effort it can take to truly see someone for who they are.
The use of AI as an inspiration for some of the album's themes might seem abstract. As I wrote and composed, I kept coming back to the question: What happens when machines learn to understand us on an emotional level? When we teach them to interpret our mental states? Does it make them more human, or does it reveal more about what it means to be human ourselves? Should I let AI start making all the music, what about me, how can I express myself?
"'Theory Of Mind' isn't just about understanding — it's about the desire to understand. Whether it's a person who feels misunderstood, or a future AI learning to perceive our emotions, the album is an invitation to explore that space. To sit with the complexities, to feel the tension, and ultimately, to wonder — where do we go from here?"
In November 2023, Kiko announced his decision to "extend" his absence from MEGADETH's touring activities, explaining that he didn't want to "hinder any of the band's plans or the hard work of all the incredible people involved in the tour."
Kiko revealed in September 2023 that he would sit out the next leg of MEGADETH's "Crush The World" tour in order to stay home with his children back in Finland.
One day after Kiko's announcement that he was "extending" his absence from MEGADETH's touring activities, band leader Dave Mustaine released a statement in which he said that he loves Loureiro and respects and fully supports Kiko's decision. He described Kiko as "a top-notch professional, a maestro" and thanked the guitarist "for his dedication and hard work these past nine years, helping us to achieve a Grammy on 'Dystopia' and the additional awards we have received on this latest record 'The Sick... The Dying...And The Dead'." Mustaine added: "I could not have done this without Kiko Loureiro."
MEGADETH played its first concert with Kiko's replacement, Teemu Mäntysaari on September 6, 2023 at Revel in Albuquerque, New Mexico.
The 37-year-old Mäntysaari was born in Tampere, Finland and began playing guitar at the age of 12. In 2004, he joined the band WINTERSUN. He has also been a member of SMACKBOUND since 2015.
Loureiro officially joined MEGADETH in April 2015, about five months after Chris Broderick's exit from the group.
In a recent interview with Japan's Young Guitar, Kiko was asked about the possibility of a future guest appearance with ANGRA. He responded: "In the last two albums from ANGRA, not being in the band, I did record a guest solo. I was touring a lot and I have small kids, so I didn't wanna travel more to do a guest appearance. It might be in the future. I'm friends of everybody. I have a great history with ANGRA. Same goes with MEGADETH. I'm still friends of everybody, and I don't wanna burn bridges."
He continued: "I'm proud of all the albums I recorded with ANGRA. I'm proud of the albums that I recorded with MEGADETH, the two albums I recorded with MEGADETH, all the concerts and tours we did together. So, guest appearances, recording a solo, helping somehow or just hanging, I'm happy to do it, because I like all those people as friends and family, because I shared so many great moments of my life with the guys from ANGRA, of course, many, many years, and also almost nine years in MEGADETH as well."
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